The Great Frog Race and Other Poems by Kristine O'Connell George

George, Kristine O'Connell. The Great Frog Race and Other Poems. Illus. Kate Kiesler. New York: Clarion, 1997.

In this collection of poetry, George captures the wonder and simplicity of childhood. Things a child would see and do become the subjects of poems. From frog racing to monkey wrenches, George describes them with a freshness and voice that is unique.

What I thought: What a great collection! As it won the Lee Bennett Hopkins Poetry Award, I know I'm not the only person who thinks so. Some of my favorite poems in the collection offer the reader a new perspective on an object. "Evening Rain" uses sewing imagery. Raindrops as stitches is so plausible I found myself wondering why I hadn't considered it before. Describing a common insect's wings as window panes and cellophane in "Dragonfly" is genius. That's exactly what their wings look like. As I read the poems, I found myself remembering my own childhood. If I were to write poems about my childhood, I can only hope that they would have the same magic as George's. I freely admit my subject matter would be different. Think mud pies, rain dancing, and puddle jumping.

Edward Tulane

DiCamillo, Kate. The Miraculous Journey of Edward Tulane. Illus. Bagram Ibatoulline. Cambridge, MA: Candlewick, 2006.

Edward Tulane is a china rabbit. He thinks quite a lot of himself. He has fine silk clothes, a pocket watch, and a bed. Edward belongs to 10 year old Abilene Tulane. Abilene treats Edward as a real person instead of a china rabbit. Abilene loves Edward, but Edward doesn't understand love. Edward becomes separated from Abilene and becomes someone different to various people. To Lawrence the fisherman and his wife Nellie, Edward is transformed into Susanna. To the hobo Bull and his dog Lucy, Edward is Malone. To an old woman with a garden, Edward is Clyde, scarecrow extraordinaire. To Bryce and his sick sister Sarah Ruth, Edward is transformed into Jangles, the dancing rabbit. On these adventures, Edward learns about love and how painful it can be. He is accidentally broken and lives contentedly in a toy shop. He doesn't want to be bought. He's had enough of love, but one day, a little girl comes to the shop with her mother. Maggie recognizes Edward as Edward Tulane. Abilene is her mother. Edward has returned to his first loving owner. He's willing to love again.

What I Thought: This was an endearing story. The books reads quickly: it only took me 30 minutes to read. The pictures are lovely and so detailed. Edward's story reminded me of Rachel Field's Hitty, Her First Hundred Years (the 1930 Newberry Award Winner). Field chronicles the adventure and misadventures of Hitty, a wooden doll. For children who enjoy Edward Tulane, they might also like to read Hitty's story.

The Delightful Casson Family Returns!

McKay, Hilary. Indigo's Star. New York: McElderry, 2003.
McKay, Hilary. Permanent Rose. New York: McElderry, 2005.
McKay, Hilary. Caddy Ever After. New York: McElderry, 2006.
McKay, Hilary. Forever Rose. New York: McElderry, 2008.

You will remember the Casson Family (Caddy, Saffy, Indigo, and Rose) from Saffy's Angel. Their hilarious adventures continue in four more novels.

In Indigo's Star, Indigo returns to school after a lengthy illness. He dreads school because he's being tormented by a gang of bullies. His family unites to help him with his problem. Saffy almost snatches the gang leader bald. Rose volunteers to help in any way she can. Indigo and Rose make a new friend in Tom, an American boy staying with his Grandmother.

In Permanent Rose, Rose endures a hot, never-ending summer. She's taken up shoplifting as a new hobby. She misses Tom who returned to America. She's worried that Caddy will jilt darling Michael. The family collects a new friend: David, reformed gang member. Without meaning to,m Rose ends up on a train to London and talks herself into accompanying her father to America.

In Caddy Ever After, the Casson family is just as crazy as ever. Indigo tries to get everyone to attend the Valentine's dance. Saffy has a new boyfriend. Caddy has dumped Michael and engaged herself to Alex, the brother of Saffy's boyfriend. Rose doesn't know what to do, but she does know that Caddy shouldn't marry Alex. She must stop the wedding.

In Forever Rose, Rose is now 11 years old and her family has (unintentionally) abandoned her. Saffy and her friend Sarah are always gone. Indigo has a job. Caddy went in search pf Michael and promptly disappeared. Her father's still in London. Her mother's still in the shed. Christmas is coming and no one seems to care.

What I Thought: From the moment I read Saffy's Angel, I've loved the Casson family. They're so quirky. What I enjoy most about the books is that they don't really focus on one character, they're more concerned with the family as a whole. Indigo's Star and Permanent Rose were similar to Saffy's Angel in that they had third person narration. Caddy Ever After was quite different because the chapters presented a different family member's point-of-view. We hear from all four of the siblings. Forever Rose is told from Rose's point-of-view. To accurately portray her loneliness and sense of abandonment, no other point-of-view would work as well. I was sad when I read Forever Rose because it's the last book about the Casson family. Hilary, if you're reading this, please wrote more about this delightful family.

Cricket Never Does by Myra Cohn Livingston

Livingston, Myra Cohn. Cricket Never Does: A Collection of Haiku and Tanka. New York: McElderry, 1997.


Livingston divides her collection of 67 haiku and tanka into the four seasons. Her poetry makes the reader look at nature with new eyes as she presents images in innovative ways. Bougainvillea becomes a mask for graffiti. Trees become castles and havens (as Anne Shirley would want them to be). Fall floras watch over streets. Leaves huddle and the moon is a canoe.

What I thought: Haiku is meant to capture moments in time. These certainly do. I find haiku to be a challenging form from a writer's perspective. The brevity alone is difficult to achieve. From a reader's perspective, haiku is wonderful. Just a few words call up an image. That is power, a power that Livingston has.

The Fortunes of Indigo Skye

Caletti, Deb. The Fortunes of Indigo Skye. New York: Simon & Schuster, 2008.

Indigo Skye is content with her life. She's about to graduate high school, she has a great boyfriend, and she honestly enjoys being a waitress. Life is good, simple. Until the day Indigo gives advice to one of her customers. She recommends that he change his life if he's not happy with it. Good advice to be sure. Her advice bears fruit that she never dreamed of. The guy gives her two and a half million dollars. Yeah, you read right--millions. Indigo's first instinct is to give the money back. With her dad's help, she tracks him down and they discuss his gift. He truly wants her to have the money. He gives her some advice: "Let it make you bigger, not smaller" (158).

Indigo wants to give her family luxuries. Her mom refuses. Her boyfriend wants Indigo to help fix up his car and fund his ideas. Everyone seems to want something from Indigo, even if they don't want money. Her boss resents her for having the money. One day, Indigo's had enough. She quits her job and goes with a friend to California. Being rich isn't all it's cracked up to be. She let the money make her smaller, but she can change that Indigo makes plans for her money and won't let anyone stand in her way. She helps her family and friends. Indigo is bigger than the money. She knows that now.

What I thought: This book was a good read, if a bit long (2 pages shy of 300). At times I felt like the book was never going to end. The book reminded me of a couple of things. The movie It Could Happen to You and Joan Bauer's Hope was Here. The movie heroine gets a big tip like Indigo. Both Hope and Indigo are waitresses. Indigo is a great character and a universal truth underlies the book: Money can't buy happiness. But Indigo finds that it can be used to improve lives.

Sisters of the Sword

Snow, Maya. Sisters of the Sword. New York: Harper Collins, 2008.

In feudal Japan, Kimi and Hana, girls of noble blood, must renounce their family to preserve it. Their uncle's greed and jealousy lead him to kill their father and two older brothers. He planned to kill the whole family, but Kimi, Hana, their mother, and younger brother escaped. The girls are separated from their mother. To protect themselves they become boys and take refuge at Master Goku's dojo as servants. They hone their skills with weapons and vow to avenge their family.

What I thought: As I've studied Japanese history, the historical setting of this book was appealing to me. While girls disguising themselves as boys as been done for centuries (Viola in Shakespeare's Twelfth Night for instance), Snow's take on it is quite original. I don't recall ever reading a story where girls wanted to be samurai. The book reads quickly as you are eager to find out what happens to Kimi and Hana. My only complaint is that the book is the first in a series, yet there's no indication of that until you reach the end. The ending is an unresolved one. The girls have hope because their mother is safe, but their story is not done. A little heads up about this would be nice as I felt dissatisfied with the book when I came to the ending. However, I enjoyed the book and look forward to reading the other books in the series.

Sisters of the Sword 2: Chasing the Secret (January 2009)
Sisters of the Sword 3: Journey through Fire (June 2009)

Loose Threads by Loria Ann Grover

Grover, Lorie Ann. Loose Threads. New York: McElderry, 2002.

Kay is a normal seventh grader until her grandma finds a lump on her breast. Her life, her mother's, her grandmas, and her great-grandma's all change with these simple words "I found a lump / in my breast" (1). Poems chronicle Kay's struggle to deal with the changes in her life. To understand cancer. To understand herself. To understand her friends. To accept the frailty of life.

What I thought: This book was incredibly moving because it deals with a subject every woman fears: breast cancer. The poignancy of the story increased when I realized the author was writing from her personal experience. Her own grandmother had breast cancer. I've never had anyone close to me die a lingering death, but I can understand it through this book. As Kay cried, I cried. My favorite poem in the book is "Friends." It describes perfectly what this book gives readers.

I read
in the empty time.
I read at doctors' offices.
I read after nightmares.
I read when I hide out in the bathroom
and rest my head against the toilet paper roll.
I turn page after page,
in book after book.
Other kids
suffer in novels.
I'm not the only one.
My stuff
could be worse.
I hold the open book to my face
and breathe deep.
The ink paper smell
fills me up.
Each author
is a friend saying,
"There's hope.
Look." (110-11)